Do not miss every minute of this "Anatomy of a Jam" by Amar Sastry, it's brilliant. And Jon Fishman also loved it; check out an image of his Facebook post about it here on twitter.

Welcome to the 379th edition of Phish.Net's Mystery Jam Monday, the second of June. The winner will receive an MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of the two mystery clips. The clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!

Hint: These jams were so much better than the local football team, they decided to up and move to Maryland.

Answer: Congratulations to first-time winner @perpg! Making quick work of the hint, they correctly identified these two jams from The Agora Theatre in Cleveland as the 5/7/92 Possum (this clip courtesy of fellow MJM emeritus @schvice) and the drum and bass section of the 4/22/93 YEM. A tougher-than-usual win for a first timer, @perpg is well-situated to tackle their seven wins and join the MJM HOF. Stick around next week, where we ratchet up the intensity of our puzzles yet another notch!

[Courtesy of Josh Martin, user @jmart. -Ed.]

How to approach the Trey Anastasio Band's second (and tour closing) show at the Tabernacle in Atlanta?

1. Consider this exchange with a fellow serious phish head a few weeks before the occasion: Me: "So I scored some tickets to go see Trey band at the Tabernacle down in Atlanta in a few weeks." Friend: "Well, there's nothing in that sentence I like."

Really? Seems kind of harsh. I mean, Atlanta isn't my favorite city either [note: I have revised that opinion based on this trip], but the Tabernacle is VERY cool, and Trey band has some good stuff going for it, right? Most importantly a guitarist named Trey, whom you've probably dreamed of meeting several dozen times and have probably seen in concert many more times than that. BUT ALSO, nice vocal harmonies, dense percussion, and propulsive rhythm and horn sections that power new songs and substantively change the sound of familiar songs. Is this a good thing? I'm not sure. I guess the listener gets to decide that, but I would prefer to think that change is a good thing, especially with something as familiar to all of us as large swaths of the Phish catalog.

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Listen: Nikon At Jones Beach Theater, Wantagh, NY - 06/02/2009

[Welcome To Weekly Catch With Osiris! A weekly series brought to you from the team at Osiris. Each Wednesday we're going to bring you a historic Phish show from that week with some commentary. Our goal is to go beyond official releases and well-known shows to bring you some of the overlooked gems throughout Phish history. If you like what you find, we'd encourage you to check out the assortment of podcasts at the Osiris! This week's catch comes from Brian Brinkman of Beyond The Pond.]

Ten years ago this week Phish kicked off their first full tour of 3.0. It's an odd moment of reflection. Back in June 2009 there were lingering questions about Phish's ability to recapture the magic of their peak era. You could still see 1.0 in the rearview mirror, as well as the darkest days of Phish from 2003-2004. Following the Hampton shows in March there were questions about the long-term viability of the band as a creative force. The three reunion shows were more or less recitles, lacking the surprises and on-the-spot creativity that had long defined the band at their best. Fenway's tour opener felt similar in many ways, a vanilla welcome-back that, aside from the "Tweezer -> Light" and the debut of "Time Turns Elastic," felt like hitting shuffle on many of Phish's 1990's studio releases. It would thus be night one in Jones Beach - a venue the band hadn't played since 1995 - where the familiarity and newness of Phish 3.0 would come into focus.

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[Alex Grosby, user @grozphan, was responsible for the wonderful "Below The Moss Forgotten" exhibit at the first Phish academic conference at Oregon State University in Corvallis, OR, in May 2019. -Ed.]

Phish fans love to gather. We come together in familiar and unfamiliar spaces and create our own world summer after summer, the occasional fall, and of course over New Year’s. A number of years ago, as I was working on my Business degree, I came up with an idea. Why don’t we have a place to gather outside of touring schedules? Sure, we could gather at Nectar’s and reminisce over gravy fries or hang in the parking lot at Hampton without a show, but it’s not a space to call our own. This was the first spark when the concept of a Phish museum entered my brain, and I went to work on throwing ideas together. That was the genesis of my organizational name, “The Phishsonian Institute.” I worked on a logo and wrestled with what to do now?. I started reviewing shows, and then realized that wasn’t right. I’m now working on comprehensive venue histories a little bit. But a goal has always been to tell Phish’s story. What happened next solidified the need to take charge of our own public history.

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Welcome to the 378th edition of Phish.Net's Mystery Jam Monday, the first* and easiest of June! The winner will receive THREE MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery clip. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!

*Reminder: For the first MJM of each month, only folks who have never won an MJM are allowed to answer before the hint. If you have never won an MJM, please answer as a blog comment below. If you have previously won an MJM, but you'd like to submit a guess before the hint, you may do so by PMing me; once the hint has been posted, everyone should answer on the blog. If that's confusing to you, check out the handy decision tree that I threw together for you. If you're not sure if you've won before, check in the MJM Results spreadsheet linked below.

Answer: Congratulations to two-time MJM winner @serpent_deflector, who needed only twelve minutes to solve this week's MJM before waiting nervously for the next 23 hours and 48 minutes while others danced around the solution: the 7/16/17 "Carini." For his efforts he'll take home three LivePhish codes. Stay tuned next week for MJM379.

A very creatively written take on the "Phish Studies" conference that took place in May 2019 in Corvallis, Oregon, has been published by the Corvallis local paper, the Gazette-Times: "Floating with the flock: Three days among the faithful at the first Phish Studies Conference." We hope you find it worth your time to read, even though you must pause your ad-blocker.

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[Take the Bait is spirited deliberation centered around the hyperbole of Phish’s music and fandom, passionately exuded via the written words of phish.net contributors @FunkyCFunkyDo and @n00b100. Opinions expressed herein do not necessarily reflect those of phish.net, The Mockingbird Foundation, or any fan… but we're pretty sure we’re right. Probably.]

Funky: Wouldn’t you know it, public internet forums can be a place of knowledge and enlightenment. ...instead of, you know, the usual slander, libel, and childish name-calling. Esteemed phish.net user, and frequent reader/chimer-in-er, @JMart, concocted this thread a couple weeks ago, which led to some great, Phishy discussion about which songs were better, or worse, during the 3.0 years.The forum delivered some fine discussion and debate, which got me thinking - we’ve coyly danced around any actual controversial opinions our last few episodes, casually diving into some forgotten about corners of the Phish world, which few people seemed to care much about, but important pieces of Phish nonetheless. Nerdism aside ::pushes up glasses to nose:: we didn’t really deliver anything too contorversial, neglecting to give the fans what they really want: a reason to use slander, libel, and childish name calling... directed at us! No doubt picking a jam’s best years will result in a slew of digital disgust, so let’s get on with it.

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[Welcome To Weekly Catch With Osiris! A weekly series brought to you from the team at Osiris. Each Wednesday we're going to bring you a historic Phish show from that week with some commentary. Our goal is to go beyond official releases and well-known shows to bring you some of the overlooked gems throughout Phish history. If you like what you find, we'd encourage you to check out the assortment of podcasts at the Osiris! This week's catch comes from Michael Shields of Across The Margin.]

Listen: Bethel Woods Center For The Arts, Bethel, NY - 05/28/2011

From day one of this project, one that teamed Phish.net and the Osiris Media Group, the goal of the Weekly Catch has been to bring Phish fans a historic Phish show from the week the article is published and provide some context into the show in question. The hope is for the show chosen is that it is one not well know, not an official band release, and generally an overlooked gem. And thus, one could surmise, the Weekly Catch will usually be focussing on shows from back in the day, well before Coventry and a hiatus.

But at this point in the modern era glorious shows can easily get overlooked or left unsung as the grandeur and legend of 3.0 persistently grows. And so, I am happy to be the first writer in the series to whisk the Weekly Catch into the 3.0 era and celebrate easily one of the best shows of Summer 2011.

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[This is the second essay that Phish.Net user @thephunkydrb has published on Phish.net. He previously published a meditation on time and experience tied to the Baker’s Dozen “Tube,” which you can read here. -Ed.]

By Jnan A. Blau

I’ve just come back from one of the coolest, most stimulating and invigorating, and definitely one of the most “far out” (to quote Mr. Bill Kreutzman, via Mr. Benjy Eisen) experiences of my life. Late last Monday night, I got back home to San Luis Obispo, California from Corvallis, Oregon. I had to rise and shine the next day, no time at all to transition from Phishiness to so-called real life—a direct, rather abrupt segue (a rip cord if there ever was one!) into a full day of teaching in university classrooms. I was, and still am, kind of exhausted. But, I’ve had a secret smile the size of Mt. Icculus plastered across my face and tattooed on my heart ever since. This because I am back from Phish Studies, the first-ever academic conference dedicated to our favorite topic/subject/phenomenon.

This, unlikely as it may seem, is my conference review for all you dot-netters, you denizens of the Phishverse, you members of one of the most lovely and inspiring communities going.

(Could this be the world’s first conference review?!)

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Welcome to the 377th edition of Phish.Net's Mystery Jam Monday, the last of May. The winner will receive two MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of the two mystery clips. The clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess to start – if no one answers correctly in the first 24 hours, I'll post a hint. After the hint, everyone gets one more guess before Wednesday at 10 AM PT / 1 PM ET. Good luck!

Hint: This week's theme is most definitely not "Theme" – in fact, these two jams were played before "Theme from the Bottom" debuted.

Answer: Pencils down! The Blog has won again! Unbelievably, for the first time ever, the Blog has defeated the MJM crew back-to-back weeks; speaking of which, no one figured out that this week's MJM featured back-to-back versions of "David Bowie": 10/12/94 and 10/18/94 (in reverse order). I never would've thought two jams from the same song played in the same state, the same week, could've stumped folks this hard, but so it goes. Come back next week when we get an easy MJM for three LivePhish codes!

Wilson Ramos has been walking up to bat to the tune of Wilson by Phish for quite a while now. The chords are strummed and the crowd screams Wilson, announcing time for one of the more feared hitting catchers to come to the plate. Sadly, that has not been the case this year. ...

Ryan Gibbs has a cogent essay about Vampire Weekend's new album, connections to Phish, and online chatter about it.

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Between Me and My Mind premieres soon, and the trailer was released today on Billboard. The documentary will have a one-night run nationwide, hopefully at a theater new you.

[Welcome To Weekly Catch With Osiris! A weekly series brought to you from the team at Osiris. Each Wednesday we're going to bring you a historic Phish show from that week with some commentary. Our goal is to go beyond official releases and well-known shows to bring you some of the overlooked gems throughout Phish history. If you like what you find, we'd encourage you to check out the assortment of podcasts at the Osiris! This week's catch comes from Brian Brinkman of Beyond The Pond.]

Link: Nectar's, Burlington, VT - 05/24/1988

The year 1988 was a huge one for Phish. It could be argued that it was the biggest year of their career until 1992. Their sound quality took a massive leap forward with upgrades in gear. Their catalogue deepened and became more varied. Their setlists flowed with focus and deliberateness. They traveled west to Colorado & laid roots that would reap longterm rewards for decades to come. And, perhaps most important, their jamming, which they would relegate for the next five years, finally reached a level of maturity, thus previewing the transcendence the band would routinely display come 1993.

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